For SATB choir, soprano saxophone and organ, this anthem is composed to serve as an introduction to a congregational performance of the hymn "Hark, the Glad Sound" by Philip Doddridge.
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This is an uplifting piece that uses the ancient Latin hymn of praise to the Virgin Mary. The verses alternate between full choir and solo or duet passages, accompanied by lush, romantic harmonies. Composed
A haunting piece for five percussionists. Scored for all metal pitched and non-pitched instruments.
Each volume of the these choral anthologies presents a collection of Esenvalds' most popular choral offerings in a convenient edition. Volumes 1, 2, 4, 5 and 6 are for mixed choirs divisi, and Volume 3 is
This ancient carol of lament is beautifully arranged with unison lines and subtle harmonies that perfectly complement the spirit of the piece. Arranged for the VOCES8 Scholars and APOLLO5, it remains
Commissioned by Jennifer Weller and Caroline Harrison QC for The Choir of Jesus College Cambridge, this setting of a text by George Grantham swells from hushed SATB verses to an ecstatic five-part chorus of
Extracted from "Flight," the original modern-day operatic comedy with libretto by April de Angelis, this aria for countertenor also known as the Refugee's Aria tells of a refugee's longing to
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A beautiful traditional Japanese folk song originating from Edo, the old name for modern-day Tokyo, arranged for unaccompanied mixed voices. Written for and performed by VOCES8.
This gently flowing arrangement captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, "Sad am I without
"With distinguish'd glory shine, to add a lustre to this day." In 1713, Handel set this joyful text to one of his most exquisite melodies. A tender work of extraordinary grace, Eternal Source of Light